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Participation: 1%-49%
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J.S. Bach
12. Allein Gott in der Höh' sei Ehr', J.S. Bach, BWV 260.
SDG
0:55 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 1 0 0 1 6%
Treble 14 0 3 5 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 1 0 0 1 6%
Treble 14 0 3 5 100%
Treble 1 0 0 1 6%
Treble 14 0 3 5 100%
Treble 1 0 0 1 6%
Bass 16 0 3 4 100%
Bass 16 0 3 4 100%
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 16 0 3 4 100%
Contrabass Bass 14 0 2 2 50%
 
16. Allein zu dir, Herr Jesu Christ. BWV 33.6.
SDG
1:14 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 23 0 6 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 23 0 6 6 100%
Contrabass Bass 19 0 5 4 52%
Bass Bass 4 0 0 2 20%
Tenor Bass 4 0 0 2 16%
 
48. Christus, der uns selig macht. BWV 283. J.S. bach.
SDG
0:49 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 4 4 100%
Tenor/Bass Bass 25 0 8 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 4 4 100%
Tenor/Bass Bass 25 0 8 6 100%
Contrabass Bass 20 0 6 4 50%
Alto Treble 2 0 0 1 6%
 
41. Christ lag in Todesbanden. BWV 4.8.
SDG
1:01 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 4 4 100%
Tenor/Bass Bass 22 0 6 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 4 4 100%
Tenor/Bass Bass 22 0 6 5 100%
Contrabass Bass 15 0 5 5 50%
Soprano Treble 2 0 0 1 11%
 
214. In dich hab' ich gehoffet, Herr. BWV 248 #46.
SDG
0:01 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 6 100%
Tenor/Bass Bass 18 0 4 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 6 100%
Tenor/Bass Bass 18 0 4 4 100%
Contrabass Bass 14 0 3 4 54%
Violoncello Bass 1 0 0 1 8%
 
J.S. Bach: Mass in B Minor, BWV 232: VIII. Confiteor - IX. Et expecto
Samuel Ricke
8:45 Est. Play
Time
251 Measures
5,309Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 21 2 9 5 98%
Bass 33 4 14 6 100%
View all 21 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 21 2 9 5 98%
Bass 33 4 14 6 100%
Continuo. Bass 25 0 9 4 100%
Fagotti. Bass 25 0 9 4 100%
Violone. Bass 25 0 9 4 100%
Alto. 22 0 10 5 90%
Soprano
II.		 20 0 7 5 88%
Tenore. 20 0 9 5 87%
Soprano
I.		 21 0 8 5 87%
Basso. Bass 21 0 8 6 75%
Flauto
traverso
I.		 Treble 18 0 1 3 35%
Flauto
traverso
II.		 Treble 17 0 3 3 34%
Oboe
I.		 Treble 17 0 2 4 32%
Viola. 19 0 4 3 32%
Oboe
II.		 Treble 13 0 1 3 31%
Violino
II.		 Treble 16 0 1 3 31%
Violino
I.		 Treble 19 0 2 4 31%
Tromba
I.		 Treble 12 0 1 5 24%
Timpani. Bass 3 0 0 3 24%
Tromba
II.		 Treble 10 0 1 5 21%
Tromba
III.		 Treble 6 0 0 4 20%
 
341. Was Gott thut, das ist wohlgethan. BWV 99.6.
SDG
0:49 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 1 5 100%
Tenor/Bass Bass 16 0 3 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 1 5 100%
Tenor/Bass Bass 16 0 3 4 100%
Contrabass Bass 9 0 1 3 50%
Alto Treble 1 0 0 1 6%